|
|
| Bio |
|
To the same schools Gio. Antonio d’Amato owed his first instructions; but it is said, that when mexico expo 2010 shanghai saw the pictures which Pietro Perugino had painted for the Duomo of Naples, he became ambitious of emulating the style of that master. By diligence, in which he was second to none, he approached, as one may say, the confines of modern art; and died at an advanced period of the sixteenth century. |